Two pieces of art at the Sunset Dunes on the Upper Great Highway were vandalized early June 14, according to The Friends of Sunset Dunes.
Two pieces of art at the Sunset Dunes on the Upper Great Highway were vandalized early June 14, according to The Friends of Sunset Dunes.
Calling someone an “icon” is often an overused sentiment. However, when it comes to the late multi-hyphenate Lawrence Ferlinghetti (1919-2021), the moniker is appropriate, especially in San Francisco, where he thrived artistically and socially since his arrival in 1951.
Last month, author Eddie Ahn appeared before a standing-room-only audience at the Richmond Branch of the San Francisco Public Library to discuss his new book, “Advocate: A Graphic Memoir of Family, Community, and the Fight for Environmental Justice.”
Chances are high that Richmond residents have seen the fruits of Harry Nordlinger’s labor. The Outer Richmond-based artist has worked as the Balboa Theater’s sole film projectionist since 2022, and he draws many of the flyers and posters for its screenings. Recently, he produced a poster promoting the theater’s upcoming 16-millimeter film screening of “Texas Chainsaw Massacre,” scheduled for June 3 and 4.
The workday is over and a painting crew is dismantling scaffolding in front of a multi-unit stucco building at 43rd Avenue and Judah Street. They might not notice a collection of seven modern, miminalist sculptures sprinkled along the sidewalk across the street. The public art project by Jesse Schlesinger titled, “Pacific Transit,” includes three more pieces six blocks closer to the ocean, at the N-Judah streetcar turnaround.
“Big and Vast and Full of Wonders,” an art installation by students from the Inner Sunset’s Independence High School, now on display at the San Francisco Museum of Modern Art (SFMOMA), introduces museum visitors to the world of some creative young people whose work has traditionally not been displayed in an art museum.
The 90-year-old Outer Richmond resident never set out to be an artist. Born and raised in San Diego in 1934, Hudson said he was not the typical well-behaved child. He described himself as a “pretty bad juvenile delinquent” during this early period of his life.
Watching the 28-minute, 10-screen film/art installation, “Lessons of the Hour,” by British artist/filmmaker Sir Issac Julien, is not as overwhelming as one might think. In fact, the flood of images, sounds and words dedicated to the life of writer, orator, philosopher and social justice activist Fredrick Douglass (1818-1895), a former slave, allows the viewer to absorb and interpret the immersive experience in their own way.
Watching the 28-minute, 10-screen film/art installation, “Lessons of the Hour,” by British artist/filmmaker Sir Issac Julien, is not as overwhelming as one might think. In fact, the flood of images, sounds and words, dedicated to the life of writer, orator, philosopher and social justice activist Fredrick Douglass (1818-1895), a former slave, allows the viewer to absorb and interpret the immersive experience in their own way.
The official count was 1,387 cakes (and at least that many participants) at the Cake Picnic on the morning of March 29, on the front lawn of the Legion of Honor Museum.
Art salons are nothing new. The tradition can be traced back to medieval Europe. Also, not new is the advancement of technology in art. Paint, brushes, musical instruments and devices for printing the written word were all advancements in human technology.
One of California’s most famous visual artists, Wayne Thiebaud (1920-2021), is so much more than his iconic (and unironic) paintings of comforting confections. The Fine Arts Museums of San Francisco (FAMSF) is about to prove that with a complex exhibition called, “Wayne Thiebaud: Art Comes from Art,” opening March 22 at the Legion of Honor.
There are some spaces that take you back to another time, another way of being. On Bush Street at Franklin Street, that space is Audium, and that time is a 1960s San Francisco.
After moving to the Sunset seven months ago, Laurie Vázquez Scolari decided that the outside of her white and black house on Taraval Street and 45th Avenue, which neighbors refer to as the “See’s Candy house,” needed some extra color. Inspired by her mother’s immigration journey from Puebla, México, to California, Laurie decided to dedicate a mural to her mother as a tribute to her story, culture and strength while also making a larger statement about immigration laws.
On Saturday afternoons at the Legion of Honor, the artwork hanging on the walls is not the only thing that is on display. Jonathan Dimmock, the principal organist at the Legion of Honor, has been captivating audiences for decades with his performances. Every Saturday at 4 p.m., Legion of Honor museum guests are dazzled by his work.