The film is about Jay Jordan and the struggle with his stutter through incarceration, solitary confinement and homelessness. Confronting systemic barriers by finding strength in his stutter, Jay launches a groundbreaking youth mentorship program, using his journey to advocate for criminal justice reform that leads to his own redemption.
Jessie Fairbanks, director of programming for SFFILM, swiftly entered the Laureate Bar and Lounge at the Laurel Inn on opening night of the mini-festival, Doc Stories (Nov. 2-5), wearing a modern and professional outfit (black jeans, black crew-neck sweater over an orange blouse with an exaggerated Peter Pan collar and low-heeled black slides).
Rob Epstein and Jeffrey Friedman, co-directing, co-producing and co-writing partners since 1978, are promoting their latest documentary, “Música!” during the fall film festival circuit. Despite winning Oscars, Emmys and a Grammy, creating and releasing new work never gets old.
After decades of historical film he shot sat untouched in his basement, Richmond District resident Rev. Harry Chuck, with the help of his son filmmaker Josh Chuck, who lives in the Sunset District, is finally ready to show it to the world in the new documentary “Chinatown Rising” at the 4 Star Theater.
After decades of historical film he shot sat untouched in his basement, Richmond District resident Rev. Harry Chuck, with the help of his son filmmaker Josh Chuck, who lives in the Sunset District, is finally ready to show it to the world in the new documentary “Chinatown Rising” at the 4 Star Theater.
In the nearly nine years that it took to complete her first feature-length documentary, “How to Have an American Baby,” it was just Leslie Tai and her camera capturing all facets of the underground birth tourism industry. The director/producer/cinematographer/editor stayed with pregnant women from China, who were living in suburban Los Angeles maternity hotels.
W. Kamau Bell, 50, may have started out as a stand-up comedian in the 1990s, but he realized early on that he had to widen his vision of a career in show business. While living in San Francisco’s Inner Sunset District for 11 years, Palo Alto-born Bell honed his craft.
As promised last time, I will talk about “The Mother and the Whore” (1973) and “The Role of Her Life” (2004), the last two on Mick LaSalle’s list of the the first 10 films that came to mind when he was asked by a reader what he would include in a “masterpieces of film” festival. Both are in French with English subtitles.
“The Creative High” will be screening at the San Francisco Main Public Library at 100 Larkin St. in the Koret Auditorium on May 24, from 6-7:30 p.m. There will be a Q&A session with filmmakers and artist subjects afterwards. FREE and open to the public.
Are you addicted to binge-watching on streaming platforms, in front of a flat-screen monitor dominating your living room space? Put down the remote control. Get off your couch and venture out to a local cultural event. Does it really require that much effort?
There are a lot of highly regarded movies filmed in San Francisco, including Alfred Hitchcock’s 1958 noir masterpiece, “Vertigo” and the 1968 slow-burn, groundbreaking action thriller, “Bullitt,” starring Steve McQueen as a brooding but honest police lieutenant. Every cinephile has seen those classics. I’d rather explore a few other significant (and more recent) films, where San Francisco does more than provide a dramatic, textured backdrop. The City is actually a supporting character.
Nearly one year ago, on March 30, 2022, a few days after its release, I watched “Everything Everywhere All at Once” for the first time at a matinee film screening in a sparsely filled theater with a friend. Since then, the movie has continued to worm its way into the deepest crevices of my being and leave a lasting impression.
Continuing on with the list of Mick LaSalle’s 10 masterpieces, (see last month’s column), I tried in vain to find “After Midnight” on Roku. I searched on Norma Shearer and they had a dozen of her films available but “After Midnight” was not one of them. It will remain an unknown silent masterpiece, at least to me.
“Puss in Boots: The Last Wish” still remains fresh, however, and has something for everyone: Adventure, romance, action, humor, drama, a great score (there is a full-on musical number and album soundtrack) and a unique visual animated style to boot.
Please help us Keep the Castro Theatre for the community. Landmark the sloped floor and seats to ensure that it can continue as the only historic movie palace in San Francisco, as it has for the past 100 years.
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Richmond Review/Sunset Beacon 