Please help us Keep the Castro Theatre for the community. Landmark the sloped floor and seats to ensure that it can continue as the only historic movie palace in San Francisco, as it has for the past 100 years.
Please help us Keep the Castro Theatre for the community. Landmark the sloped floor and seats to ensure that it can continue as the only historic movie palace in San Francisco, as it has for the past 100 years.
A reader asked San Francisco Chronicle film critic Mick LaSalle, “If you hosted ‘Mick’s Masterpieces Film Festival,’ what films would you include in your program?” Here are his suggestions.
“Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles,” made in 1975 and written and directed by Chantel Ackerman “has become required viewing for informed cineastes, after topping the most recent Sight and Sound poll of the greatest movies of all time,” according to Mick LaSalle, film critic for the San Francisco Chronicle’s (Sunday Datebook, Jan. 8, 2023).
As my passion for film grew and I was blessed to write movie reviews and feature stories, I became aware that each year, there’s an award season that begins with a fall film festival circuit, followed by a series of award ceremonies (Golden Globes, Screen Actors Guild Awards [SAG], British Academy of Film and Television Awards [BAFTA], among others), culminating with the Academy Awards.
By Noma Faingold Longtime partners in life and in documentary filmmaking, Deborah Kaufman and Alan Snitow sat cozily close together, sipping frothy coffee drinks and sharing a pastry in a covered café […]
The (videotape) box you carried home had a paragraph or two explaining the plot of the movie. San Francisco’s Inner Sunset District is home to Cary Pepper, the person who made a living writing many of those descriptions
Wong, 45, who last directed the 2019 indie comedy “Come as You Are,” was approached by producer Ben Odell to be the cinematographer on “The Valet,” a remake of a 2006 French film that had been in development for at least eight years with star and co-producer Eugenio Derbez attached.
“The Creative High,” directed by Adriana Marchione of Noe Valley and produced by Dianne Griffin, a longtime resident of the Outer Richmond, follows nine artists with widely varying styles in their individual paths of recovery.
‘I feel represented’: What San Francisco-based “Shang-Chi” means for Asian Americans of the City
Inner Sunset resident Victoria B. Fender is one of the editors of “Bad Attitude: The Art of Spain Rodriguez,” one of the films to be featured at in the Mill Valley Film Festival.
Our short doc profiles Stephanie, the owner of San Francisco’s oldest independent bait and tackle shop. Stephanie is full of jokes and charisma. She embodies what it means to be a San Franciscan.
Sunset resident celebrates women’s growing prominence in film.
On Oct. 1, PBS will air the film about two Cuban musician brothers, separated by a restrictive political climate for years and touchingly (though temporarily) reunited to create, collaborate and simply be a family.
Matt E. Novak accidentally came upon iconic photographs of jazz greats Dizzy Gillespie, Billie Holiday, Thelonious Monk and others by William P. Gottlieb (1917-2006) when he was doing research on the Library of Congress website.
San Francisco filmmaker Debbie Lum spent more than four years working on the documentary, “Try Harder!” capturing what she calls the academic “pressure cooker” that the students at Lowell High School experience.