Tag: Sunset Beacon

City Hall: Joel Engardio

I introduced a ballot measure urging San Francisco’s public schools to let kids take algebra by the eighth grade. Now, we make everyone wait until ninth grade because some aren’t ready for algebra sooner. Let’s better prepare all students instead of holding back kids who love math. 

Assembly: Phil Ting

As residents of a major city, we know that getting from point A to point B doesn’t have to always involve a car. While public transit is a great option, people power should also be considered – and even play a bigger role. Active transportation is human-powered mobility, such as biking, walking or rolling. 

City Responds to Lawsuit Over Sloat Skyscraper

San Francisco City Attorney David Chiu responded to a lawsuit filed against the City in state court by developers proposing a 600-foot-tall, 712-unit skyscraper on Sloat Boulevard. The building would occupy the site where the Sloat Garden Center is today, at 2700 Sloat Blvd., across the street from the SF Zoo. The area is zoned with a 40-foot maximum height limit, which could accommodate a building up to four-stories tall.

Commentary: Quentin L. Kopp

As we prepare to pay our federal and state income taxes pursuant to two extensions granted this year by the always-benevolent Internal Revenue Service and Franchise Tax Board, I’m reminded of quips meriting reiteration, such as: “Sorry people feel the government owes them a living! The rest of us would gladly settle for a small tax refund.”

Hundreds Celebrate Mystery of Ocean Shipwrecks

Hidden under the waves of Ocean Beach and Lands End are the skeletons of hundreds of shipwrecks. On certain days, lucky beach-goers will be able to catch a glimpse of a rusted bow or the ribs of a boiler room jutting out of the water. The mystery and tragedy of the Golden Gate wrecks possesses a special allure for many people, including the Western Neighborhood Project’s (WNP) Executive Director Nicole Meldahl and Director of Programs Chelsea Sellin, who created “shipwreck week.”

‘Overtures and Undertows’: Murakami Exhibition Suggests the Real Monsters Are People

Murakami has blurred the boundaries of high and low art. His newest exhibition at the Asian Art Museum (AAM) in San Francisco, called “Takashi Murakami: Unfamiliar People – Swelling of Monsterized Human Ego” (Sept. 15-Feb. 12, 2024), demonstrates that his 82-foot, super-detailed, story-telling painting, created especially for this – his first-ever Bay Area exhibition – is consumed alongside the instantly recognizable, multicolor smiling flower motif, which visitors rabidly purchase in many forms (including as a stuffy-style pillow) at the museum gift shop.