Mill Valley painter Christiane Lyons has dedicated the last decade of her life to her series, which she, somewhat facetiously, calls, “Some Women.” The oil paintings are collage-like, yet more refined. There is also a double or triple-exposure effect in the depiction of the women. The work is figurative, abstract and surreal. It is easy to be drawn to the colorful, layered pieces. There is a soft beauty to them. But a closer, more pensive examination reveals an indictment on the objectification of women in history and in current times.










